Spring is here, and with the first vivid green returning to the trees, there
are the first, tentative signs of a possible renaissance for Sayes Court! On the 25th of April the Garden History Society and London Parks and Gardens Trust are holding a Study Day on John Evelyn and Sayes Court, underlining the national importance of the site. An exciting programme of talks is lined up. For booking info, see the Garden History Society website. There will be a gathering for refreshments afterwards at the Master Shipwright’s house.
Sadly I’m afraid the planned site tour will only be able to view as much of Sayes Court as I have up to now, i.e. a great mound of spoil on top of the back-filled trench. However, the MOL have at last put up a page on their website explaining how they went about locating the manor house. My SO, who did the Google Earth overlays for my earlier posts, has now double-checked this through a careful map regression using ArcGIS Explorer, and has confirmed that the nineteenth-century almshouse and pension office building did overlie the earlier manor house.
I’ll have more to say on the manor house, what we can discover from the documentary evidence about its interiors, and the alterations it saw while Evelyn lived there, in a later post.
But what about changes to the garden? Like all gardens, of course, it evolved over time. The harsh winters and dry summers between 1683-5 took their toll of damage, and Evelyn, now in his sixties, commented to Pepys “’tis late for me to begin new paradises”, but nevertheless, he rose to the challenge. By 1692 when the above detailed colour map of the estate (copyright the British Library) was drawn up from Joel Gascoyne’s survey, Sayes Court was quite different from the way it had looked in the 1650’s, when Evelyn first laid it out.
The biggest change was the seemingly fourfold expansion of area given over to groves. Across the Long Promenade opposite his first, originally highly intricately designed grove, another has taken the place of part of the Great Orchard. The map shows the northern parts of the orchard that bordered the ornamental lake just as greened areas, with no indication of planting, so it is possible there were just flat lawns of grass adjoining the lake, and no trees there, with the exception of a small, intriguing feature facing the northern axial entrance to his first grove. There, trees are sketched in around what looks like a bower with an apsidal niche, which we can speculate might have housed a seat, a statue, or perhaps some instrument of scientific curiosity such as a “thermoscope” or weather-glass, as illustrated below in Evelyn’s “Elysium Britannicum”.
The northern part of the Great Broomfield that previously lay outside the garden (beyond the orchard), has been incorporated into it, roughly partitioned into four square plots planted with trees, and quartered by paths.
As well as the greatly increased area of the groves, we can see that their internal layout has also drastically altered. The first grove’s elaborate geometrical network of walks and “cabinets” has gone, replaced by a much simpler layout, with a simple circular opening at its heart. Apart from the main central axis, the paths are mostly now curving and sinuous. The next grove, overlying the Great Orchard, is also very much simpler in plan than the 1653 one had been, although still firmly geometrical.
Four new groves overlie the former Stallyard end of the Broomfield and the area described on the 1653 plan as an “extravagant area mangled by digging for gravel”. The simplification has gone even further in the eastern two. A single straight path leads to a large circular area in the centre of each grove. Marking the climax of the process of simplification are the two westernmost groves, perhaps the latest parts of the garden to be laid out.
The southern one is an unbroken block of trees. The northern one incorporates the former gravel pit (and possible mine tunnels) in a very ingenious way, turning the old watering pond that had formed in the man-made depression into an extension of the 1650’s ornamental lake, approached by what looks like a steep descent of steps through the centre of the grove. Thus, it appears that Evelyn was one of the first people to turn an ex-industrial area into a pleasing garden feature! Further research, including archaeological excavation, could potentially shed some light on Evelyn’s approach in this interesting area, although unfortunately, the houses of Barnes Terrace seem to have been built on the site of this western grove.
The south side of the garden also now extends into the former Great Broomfield, which has here apparently been turned into grass lawns (known then as “plats”) and long avenues of trees. (But some caution is needed here – see final paragraph below).
Finally, the exquisite parterre has gone, replaced by a semicircular bowling green twice its width, straddling the former south end of the Long Promenade. The diminutive banqueting house seems to have vanished, too. Instead, an exit accesses an avenue of trees that runs along the entire southern garden edge.
We know that the Gascoyne survey map omits details of planting, such as the many fruit trees and bushes planted in the beds and on the walls surrounding the bowling-green, shown above in Evelyn’s own annotated sketch-plan of 1683-4. The Gascoyne map may also have omitted other details for which we don’t have any documentation, so I think it wise to avoid drawing too-firm conclusions, concerning how much Evelyn was either following or helping to form new garden fashions, based just on the evidence of this map. Even so, it gives us a tantalizing peek into Sayes Court garden in its later form, just a couple of years before Evelyn and his wife Mary packed up and moved to Wotton, the Evelyns’ family home in Surrey…where he carried on gardening!